Pavilion Ottoman Top Grain Red Rosegold
DescriptionDesignerOne of the most recognizable and enduring designs of the 20 th century. It was originally designed by Mies Van der Rohe in 1929 to serve as seating for the king and queen of Spain at the International Exposition in Barcelona , hence its name. The ottomans were intended as seating for their servants. The set features a polished solid core stainless steel frame for maximum strength. The displayed Pavilion Ottoman cushions are upholstered in 100% genuine leather on the top and sides of each cushion.We are committed to offering you the highest quality reproduction available in the market right now. This piece makes an excellent choice for the home as well as commercial spaces.Material FeatureFrame structure highly polished 304 grade stainless steel frame with chrome finishHigh elasticity dacron wrapped foam with genuine down feather layerMedium firm cushion seat feel cushion softness customizableTop GrainAniline, cowhide Leather upholstery C.O.M availableAll the cushions are removableAll materials are fire retardant non toxic Baby friendlyCustomization available Request with Customer ServiceDimensionsWidth 24.5 x Depth 23.25 x Height 15 All measurements are approximations.Ludwig Mies van der Rohe born Maria Ludwig Michael Mies March 27, 1886 – August 17, 1969 was a German American architect. He is commonly referred to and was addressed as Mies, his surname. Along with Le Corbusier and Frank Lloyd Wright, he is widely regarded as one of the pioneering masters of modern architecture.Mies, like many of his post World War I contemporaries, sought to establish a new architectural style that could represent modern times just as Classical and Gothic did for their own eras. He created an influential twentieth century architectural style, stated with extreme clarity and simplicity. His mature buildings made use of modern materials such as industrial steel and plate glass to define interior spaces. He strove toward an architecture with a minimal framework of structural order balanced against the implied freedom of free flowing open space. He called his buildings “skin and bones” architecture. He sought a rational approach that would guide the creative process of architectural design, but he was always concerned with expressing the spirit of the modern era. He is often associated with his quotation of the aphorisms, “less is more” and “God is in the details”.
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